I began to make sculpture in my mid-twenties in New York. From the start my work has been abstract, and other than drawing on paper- in wood. Wood has many possibilities, and is as plentiful as much as it is flexible. I have a comfortable relationship with it, as a means to my ends. These are conceived with themes and forms in mind before I begin, and titles either lead or follow. I draw the things I see in my head in space. I don’t  plan too specifically when I’m working, I have come to the point where the material ‘knows’ where it should go, and then it needs the actual connections that hold everything together. They get their own rhythm or stance from intention and intuition.